1 00:00:10,400 --> 00:00:07,910 stellar Lansing records what appear to 2 00:00:13,220 --> 00:00:10,410 be images from another dimension 3 00:00:15,799 --> 00:00:13,230 we've all had strange things show up on 4 00:00:18,170 --> 00:00:15,809 our pictures glitches scratches strange 5 00:00:19,850 --> 00:00:18,180 patterns of light and shadow weird 6 00:00:21,829 --> 00:00:19,860 images are bound to show up every once 7 00:00:24,019 --> 00:00:21,839 in a while but researchers in the field 8 00:00:26,269 --> 00:00:24,029 of paranormal photography believe some 9 00:00:28,909 --> 00:00:26,279 of these photos are actually a window to 10 00:00:30,950 --> 00:00:28,919 the supernatural for 30 years 11 00:00:33,740 --> 00:00:30,960 stellar Lansing has captured bizarre 12 00:00:36,020 --> 00:00:33,750 anomalies on film and videotape nearly 13 00:00:38,479 --> 00:00:36,030 every single time she takes a picture or 14 00:00:41,240 --> 00:00:38,489 shoots home movies strange images appear 15 00:00:43,700 --> 00:00:41,250 here a severed arm mysteriously floating 16 00:00:45,410 --> 00:00:43,710 in front of this woman's head strange 17 00:00:48,290 --> 00:00:45,420 facial lesions mark her own 18 00:00:49,849 --> 00:00:48,300 self-portrait a mysterious monk appeared 19 00:00:52,160 --> 00:00:49,859 while she was taping a television 20 00:00:54,259 --> 00:00:52,170 special about Queen Elizabeth there's a 21 00:00:56,660 --> 00:00:54,269 series of unique clock-like images that 22 00:00:58,520 --> 00:00:56,670 defy cinema and time logic and were 23 00:01:01,790 --> 00:00:58,530 unheard of in the field of paranormal 24 00:01:03,680 --> 00:01:01,800 photography until that I probably didn't 25 00:01:05,660 --> 00:01:03,690 realize that it was any kind of a gift 26 00:01:08,150 --> 00:01:05,670 or anything at in the beginning I was 27 00:01:10,670 --> 00:01:08,160 just trying to get proof of what I was 28 00:01:13,640 --> 00:01:10,680 seeing I tried with every kind of camera 29 00:01:16,010 --> 00:01:13,650 I had and as this went along I asked 30 00:01:18,200 --> 00:01:16,020 someone if only I had a movie camera and 31 00:01:20,510 --> 00:01:18,210 they let me borrow theirs and that's 32 00:01:23,260 --> 00:01:20,520 when I started to get my very first 33 00:01:25,730 --> 00:01:23,270 nighttime sighting there is usually 34 00:01:27,470 --> 00:01:25,740 irrational and mechanical explanation 35 00:01:30,740 --> 00:01:27,480 for what produced a given image on the 36 00:01:33,320 --> 00:01:30,750 film as opposed to a supernatural answer 37 00:01:35,750 --> 00:01:33,330 the idea that Stella was experiencing 38 00:01:37,190 --> 00:01:35,760 more than just mechanical failure first 39 00:01:39,110 --> 00:01:37,200 occurred to her while shooting these 40 00:01:42,050 --> 00:01:39,120 high tension wires near her home in 41 00:01:44,150 --> 00:01:42,060 Massachusetts suddenly this burst of 42 00:01:47,210 --> 00:01:44,160 light came off of the know where that 43 00:01:56,490 --> 00:01:47,220 was just facing there and shut up it 44 00:02:02,140 --> 00:01:59,290 that's when I got this object it looks 45 00:02:04,420 --> 00:02:02,150 like arms sticking out a frame-by-frame 46 00:02:07,450 --> 00:02:04,430 analysis of Stella's super 8 film 47 00:02:09,219 --> 00:02:07,460 reveals these astonishing images a group 48 00:02:11,380 --> 00:02:09,229 of four men which photo experts have 49 00:02:13,120 --> 00:02:11,390 named the occupants in the 20 years 50 00:02:15,340 --> 00:02:13,130 since this super 8 image was captured 51 00:02:16,210 --> 00:02:15,350 photo analysts have debated its 52 00:02:18,550 --> 00:02:16,220 authenticity 53 00:02:20,320 --> 00:02:18,560 I took the footage of the occupants to 54 00:02:22,000 --> 00:02:20,330 the Brooks Institute the prestigious 55 00:02:23,190 --> 00:02:22,010 photography study Center in Santa 56 00:02:26,590 --> 00:02:23,200 Barbara California 57 00:02:28,330 --> 00:02:26,600 what could affect a photographic 58 00:02:31,150 --> 00:02:28,340 negative like there 59 00:02:33,490 --> 00:02:31,160 a straight light entering from a small 60 00:02:35,890 --> 00:02:33,500 hole on here the camera lens possibly 61 00:02:37,810 --> 00:02:35,900 some kind of after effect when the film 62 00:02:40,630 --> 00:02:37,820 was taken out of the camera some kind of 63 00:02:42,759 --> 00:02:40,640 a very fine 64 00:02:44,770 --> 00:02:42,769 heart and short light strike that 65 00:02:46,750 --> 00:02:44,780 produce those patterns 8 millimeter 66 00:02:49,140 --> 00:02:46,760 motion pictures is so small frame by 67 00:02:51,550 --> 00:02:49,150 frame that it's virtually impossible to 68 00:02:53,290 --> 00:02:51,560 to fake them without a sophisticated 69 00:02:55,350 --> 00:02:53,300 laboratory and animators you'd have to 70 00:02:57,790 --> 00:02:55,360 run a Walt Disney studio to do it a 71 00:03:00,640 --> 00:02:57,800 person like Stella Lansing could not do 72 00:03:03,130 --> 00:03:00,650 it even more mysterious than Stella's 73 00:03:04,660 --> 00:03:03,140 super 8 image of the occupants is what 74 00:03:05,500 --> 00:03:04,670 happens when the film is transferred to 75 00:03:13,140 --> 00:03:05,510 videotape 76 00:03:17,770 --> 00:03:15,699 analysts could not explain how Stella's 77 00:03:20,259 --> 00:03:17,780 silent 8 millimeter film with no 78 00:03:29,229 --> 00:03:20,269 soundtrack could suddenly produce sound 79 00:03:30,610 --> 00:03:29,239 replayed here at a slower speed with no 80 00:03:31,720 --> 00:03:30,620 technical knowledge of photography 81 00:03:33,400 --> 00:03:31,730 herself 82 00:03:35,770 --> 00:03:33,410 Stella searched for someone who could 83 00:03:37,780 --> 00:03:35,780 explain the images in her photos dr. 84 00:03:39,759 --> 00:03:37,790 Berthold Swartz noted psychiatrist and 85 00:03:41,680 --> 00:03:39,769 author took her case and has been 86 00:03:44,530 --> 00:03:41,690 studying Stella Lansing for 21 years 87 00:03:46,360 --> 00:03:44,540 when I first met Stella I became more 88 00:03:48,220 --> 00:03:46,370 and more curious because here is the 89 00:03:49,750 --> 00:03:48,230 human being that gets these things the 90 00:03:51,699 --> 00:03:49,760 kind of things I read about in the paper 91 00:03:53,920 --> 00:03:51,709 but the seldom documented as one would 92 00:04:05,040 --> 00:03:53,930 prefer in fact it was Stella's 93 00:04:09,160 --> 00:04:07,240 bhakta she cried on scraps of paper 94 00:04:11,050 --> 00:04:09,170 she'd collect clippings and you put it 95 00:04:13,510 --> 00:04:11,060 all together the story seems to hang 96 00:04:15,700 --> 00:04:13,520 together and we have to ask the question 97 00:04:17,410 --> 00:04:15,710 how do we explain it questions and 98 00:04:19,840 --> 00:04:17,420 questions and questions but then it 99 00:04:22,660 --> 00:04:19,850 becomes fascinating a real mystery of 100 00:04:24,490 --> 00:04:22,670 the first door some of Stella's most 101 00:04:26,800 --> 00:04:24,500 bizarre images are referred to as the 102 00:04:28,930 --> 00:04:26,810 clunk series images captured on film 103 00:04:30,910 --> 00:04:28,940 that surrounds such things as airplanes 104 00:04:33,520 --> 00:04:30,920 and church steeples appearing at night 105 00:04:35,200 --> 00:04:33,530 and during the day strangely when the 106 00:04:37,630 --> 00:04:35,210 single lights of the clock formations 107 00:04:39,850 --> 00:04:37,640 are enlarged they reveal space craft 108 00:04:42,310 --> 00:04:39,860 like images and even more astonishing 109 00:04:44,800 --> 00:04:42,320 these so-called spacecraft extend beyond 110 00:04:48,760 --> 00:04:44,810 the edge of the film frame it overlaps 111 00:04:53,310 --> 00:04:48,770 the frames indeed the time-space barrier 112 00:04:57,280 --> 00:04:53,320 is smashed in some way by this housewife 113 00:04:58,960 --> 00:04:57,290 rent the clockwork patterns on Stellar's 114 00:05:01,600 --> 00:04:58,970 photographs what do you make of them I 115 00:05:04,210 --> 00:05:01,610 can find some rationale and calling them 116 00:05:06,040 --> 00:05:04,220 a mechanical problem in the camera some 117 00:05:08,170 --> 00:05:06,050 of the consistencies from frame to frame 118 00:05:10,720 --> 00:05:08,180 indicate that the exposure was produced 119 00:05:13,510 --> 00:05:10,730 not in the camera but somewhere as a 120 00:05:14,980 --> 00:05:13,520 light leak entering the camera or some 121 00:05:17,800 --> 00:05:14,990 other pattern the pattern appears to be 122 00:05:19,990 --> 00:05:17,810 very similar but not always the same but 123 00:05:22,330 --> 00:05:20,000 Stella Lansing still got the clunk like 124 00:05:24,310 --> 00:05:22,340 formations when she used six different 125 00:05:27,190 --> 00:05:24,320 cameras two different types of film 126 00:05:28,960 --> 00:05:27,200 inside outside in daylight and at night 127 00:05:31,240 --> 00:05:28,970 in five different states 128 00:05:32,740 --> 00:05:31,250 she even succeeded when her camera was 129 00:05:35,080 --> 00:05:32,750 switched for another at the last month 130 00:05:37,870 --> 00:05:35,090 so could Stella Lansing be somehow 131 00:05:40,480 --> 00:05:37,880 affecting her films subconsciously to 132 00:05:43,120 --> 00:05:40,490 find out dr. Schwartz's subjected stella 133 00:05:46,900 --> 00:05:43,130 to psychiatric evaluations and brainwave 134 00:05:49,330 --> 00:05:46,910 analyses in 1971 dr. schwartz himself 135 00:05:51,130 --> 00:05:49,340 filmed this breakthrough field study he 136 00:05:53,350 --> 00:05:51,140 and Stella journeyed from Springfield 137 00:05:54,940 --> 00:05:53,360 Massachusetts to Munson Hill to the 138 00:05:58,060 --> 00:05:54,950 power lines were Stella first 139 00:05:59,469 --> 00:05:58,070 photographed the occupants Stella saying 140 00:06:01,960 --> 00:05:59,479 so they're gonna come they're gonna come 141 00:06:05,010 --> 00:06:01,970 they always do and by golly we see these 142 00:06:07,020 --> 00:06:05,020 two orange or reddish orange globes 143 00:06:09,779 --> 00:06:07,030 one and this two they're blinking they 144 00:06:11,999 --> 00:06:09,789 seem to hop around a my camera that I 145 00:06:13,740 --> 00:06:12,009 hope I'm capturing this I don't know 146 00:06:17,100 --> 00:06:13,750 what does this mean 147 00:06:19,080 --> 00:06:17,110 this causes me to believe that either 148 00:06:20,430 --> 00:06:19,090 there's some type of mind projection 149 00:06:21,779 --> 00:06:20,440 either she somehow projecting these 150 00:06:26,210 --> 00:06:21,789 images onto the film from her 151 00:06:29,040 --> 00:06:26,220 imagination from her own mind or that 152 00:06:32,550 --> 00:06:29,050 another theory which is certainly not 153 00:06:35,969 --> 00:06:32,560 provable not by me anyway is could 154 00:06:37,710 --> 00:06:35,979 things exists in another dimension ana 155 00:06:41,760 --> 00:06:37,720 borderline way where they flicker in and 156 00:06:43,559 --> 00:06:41,770 out of our dimension 21 years later we 157 00:06:45,899 --> 00:06:43,569 accompanied Stella two months in Hill 158 00:06:48,089 --> 00:06:45,909 the saga for original photo expedition 159 00:06:50,159 --> 00:06:48,099 we wanted to see if Stella would get the 160 00:06:53,189 --> 00:06:50,169 same paranormal images under our own 161 00:06:55,110 --> 00:06:53,199 controlled conditions there's some kind 162 00:06:58,170 --> 00:06:55,120 of interaction here whatever it is I 163 00:07:00,330 --> 00:06:58,180 don't know what it is but it's for some 164 00:07:02,850 --> 00:07:00,340 reason it's just like what I'm driving I 165 00:07:04,110 --> 00:07:02,860 seem to know where to look I mean I 166 00:07:06,839 --> 00:07:04,120 don't have eyes in the back of my head 167 00:07:09,300 --> 00:07:06,849 but I seem to know when to look 168 00:07:12,839 --> 00:07:09,310 somewhere and I look like that and there 169 00:07:14,700 --> 00:07:12,849 it is Stella also took still photos of 170 00:07:16,950 --> 00:07:14,710 our sightings producer and camera crew 171 00:07:19,080 --> 00:07:16,960 and surprising results occurred at the 172 00:07:20,519 --> 00:07:19,090 Palmer photo lab where Stella's film was 173 00:07:23,510 --> 00:07:20,529 developed the first thing their 174 00:07:26,820 --> 00:07:23,520 technician ruled out was light flare 175 00:07:29,399 --> 00:07:26,830 this is this is what's interesting right 176 00:07:33,510 --> 00:07:29,409 here this seems to have solidity to it 177 00:07:36,360 --> 00:07:33,520 here it's almost an oval shape and right 178 00:07:38,250 --> 00:07:36,370 here also has the same thing 179 00:07:40,320 --> 00:07:38,260 is really strange he has all the 180 00:07:42,270 --> 00:07:40,330 attributes of classic camera flare but 181 00:07:44,310 --> 00:07:42,280 all the light was behind stealth not 182 00:07:45,840 --> 00:07:44,320 behind the subject there appears to be 183 00:07:47,370 --> 00:07:45,850 some sort of light source just breaking 184 00:07:49,050 --> 00:07:47,380 over her shoulder but it would be 185 00:07:50,670 --> 00:07:49,060 visible to the ningĂșn I think it would 186 00:07:52,620 --> 00:07:50,680 be like a flash ball or something it 187 00:07:55,170 --> 00:07:52,630 could have been a very transitory event 188 00:07:56,879 --> 00:07:55,180 very short and duration where the human 189 00:07:58,860 --> 00:07:56,889 eye and brain in combination just didn't 190 00:08:01,830 --> 00:07:58,870 recognize it but the film did for 191 00:08:04,710 --> 00:08:01,840 whatever reason I believe in what I'm 192 00:08:08,340 --> 00:08:04,720 doing and I know there's something up 193 00:08:10,620 --> 00:08:08,350 there nobody can tell me it isn't debate 194 00:08:12,750 --> 00:08:10,630 continues on what is actually appearing 195 00:08:14,520 --> 00:08:12,760 in Stellar's films we'll keep you